{"id":5254,"date":"2007-09-08T20:47:00","date_gmt":"2007-09-08T18:47:00","guid":{"rendered":""},"modified":"2020-09-06T19:08:15","modified_gmt":"2020-09-06T17:08:15","slug":"el-titella-occident","status":"publish","type":"post","link":"https:\/\/www.teiamoner.net\/en\/el-titella-occident\/","title":{"rendered":"The puppet in the West"},"content":{"rendered":"<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<div>\n<span style=\"font-size: x-small;\">Puppets are special. The puppet<\/span><\/div>\n<p><span style=\"font-size: large;\">The puppet in the West<\/span><\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<b>WEST<\/b><\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe story of the puppets and the<br \/>\nWestern world begins in Greece and continues in Rome and then moves to<br \/>\nEurope and the rest of the world.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIn Greece the<br \/>\npuppets with the theater of actors, but relegated to a minor art. The<br \/>\nGreece&#039;s first known reference dates back to 422 BC Xenophon<br \/>\nexplains the visit of a puppeteer from Syracuse to the house of the rich Athenian<br \/>\nCallias. The characteristic of the puppet theater of the time is that<br \/>\nwas made by itinerant puppeteers and was mostly used for<br \/>\n entertaining select circles of citizens, though they did too<br \/>\nperformances in public squares. The first puppeteer known to the<br \/>\nhis name was Photino and he used wire puppets.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe Romans with theirs<br \/>\nThe manipulated figures were taken to the peninsula<br \/>\nitalics. In Rome, puppets were street fun, which they weren&#039;t<br \/>\nthey could always be at peace with the censorship and repression of the empire. too<br \/>\n Roman priests used religious figures with mechanisms and<br \/>\ntubes to speak through them in the village. When the Roman Empire fell<br \/>\nin the 5th century AD, Christianity was the official religion. The<br \/>\npuppeteers performed in the streets and squares, and al<br \/>\nnot being able to master these little figures, the church used them<br \/>\nfor your benefit. At first the image of Christ was a lamb,<br \/>\nbut about the seventh century, he began to represent himself as a person. I<br \/>\nthis is where the first religious articulated figures appear, in the<br \/>\n churches of the Middle Ages.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThere are two examples that have<br \/>\nsurvived to our day: The Christ of the town of Limpias (Santander),<br \/>\n which moves the eyelids, lips, eyes and changes the expression of the<br \/>\nface, and the Christ of Burgos, with movable head and arms and a skin<br \/>\nelastic as that of a person.There is also the reference in France of the<br \/>\narticulated images of the Virgin Mary, the Little Marys, hence the name<br \/>\n of a puppet.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIn the Middle Ages they were used<br \/>\nthe wire puppets and the iron puppets, which were tied to the<br \/>\nknees and moved with their legs. Later the<br \/>\n glove puppets, and the functions were performed in theaters in the form of<br \/>\ncastle, hence the derivation of castellet.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nAlso from the 14th century<br \/>\nthey began to have importance in Europe, the automata or theaters<br \/>\nmechanics, almost always related to Christmas festivities. This one<br \/>\ntechnique emerged in antiquity, took a great time at this time<br \/>\nperfection. We cannot stop talking about the ventriloquism that is of origin<br \/>\nantic. Traces of Egyptian art and Hebrew archeology are found.<br \/>\nEurycles of Athens managed to be the most famous and, therefore, the<br \/>\nGreek ventriloquists were called eurycleids, and also<br \/>\nengastr\u00edmanteis, that is, prophets of the belly. In France, the first<br \/>\nventriloquist known as such was Louis Brabant, raised by the king<br \/>\nFrancisco I, in century XVI. In the first half of the seventeenth century, the<br \/>\nKing Henry and King Charles I had a counselor, the Whisperer<br \/>\n(= whisperer). The technique was perfected in the 18th century. Also the<br \/>\n ventriloquism was known and practiced in India and China. In Europe i<br \/>\nin the United States, ventriloquism takes its place in the United States<br \/>\npopular entertainment.&nbsp;<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nFrom the seventeenth century they were<br \/>\npuppets arose that by their popularity managed to be fixed<br \/>\n forever within the history of universal culture. We have the Punch<br \/>\nand Judy English, French Guinyol, Italian Pulcinella, Puppet<br \/>\nCatalan\u2026<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<a href=\"http:\/\/www.blogger.com\/blogger.g?blogID=2701487811755248965\" name=\"italia\" target=\"_blank\" rel=\"noopener\"><\/a><b>ITALY<\/b><\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<ul>\n<li>Pulcinella<\/li>\n<\/ul>\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe masks<br \/>\nItalian are many: we could find a hundred. But the most famous<br \/>\nis that of Pulcinella of the Commedia dell&#039;Arte, a characteristic mask of<br \/>\nNaples. This mask does not designate any particular artistic character.<br \/>\nbut a collection of characters, united by a name, by a mask<br \/>\nblack, a white T-shirt and a pointed cap.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nPulcinella, is therefore the man<br \/>\n of the people who live their lives on the proscenium of a theater. A man<br \/>\n but that he always enjoys an inexhaustible load of irony towards himself<br \/>\nhimself and towards others.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nVagabond who doesn&#039;t like the<br \/>\nfatigue and prefers to go live with his personal instinct<br \/>\nbuffoonish, we find him initially acting as a buffoon, first in the square and<br \/>\nthen on stage; and that&#039;s when he entered the world of theater, between the<br \/>\nCommedia masks, in the late 16th and early 16th centuries<br \/>\nXVII. And then he entered the puppet theater, in principle of thread and<br \/>\nlater glove. With this form that has spread around the world, exported,<br \/>\n it can be said, to hundreds of castles of the puppet theater.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<img decoding=\"async\" border=\"0\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image036.gif\" \/>One of the first images of the<br \/>\n We have a puppet in a 16th century drawing: it still doesn&#039;t work<br \/>\nin the castle they are in the hands of the puppeteer to draw attention to a<br \/>\nproduct you want to sell or to tell a story.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIn the puppet theater there<br \/>\ncanes play a big role. When Pulcinella senses that someone will<br \/>\n makes a bad pass acts directly. But his violence in the<br \/>\n our puppet theater, (in which it threatens and beats people for<br \/>\nany nonsense), is just to make the viewers who watch it laugh<br \/>\nwith the tenderness he feels for a capricious child.&nbsp;<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif; text-align: right;\">\nFig.12<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nFig.13 <\/div>\n<ul style=\"font-family: Arial,Helvetica,sans-serif;\"><img decoding=\"async\" border=\"0\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image038.gif\" \/>\n<\/ul>\n<p><\/p>\n<ul style=\"font-family: Arial,Helvetica,sans-serif;\">\n<ul>\n<ul>\n<ul>\n<ul>\n<ul>\n<li class=\"Estilo1\">Pupis Sicilians<\/li>\n<\/ul>\n<\/ul>\n<\/ul>\n<\/ul>\n<\/ul>\n<\/ul>\n<ul style=\"font-family: Arial,Helvetica,sans-serif;\">\n<ul>\n<ul>\n<ul>\n<ul>\n<ul>\n<\/ul>\n<\/ul>\n<\/ul>\n<\/ul>\n<\/ul>\n<\/ul>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe Opera dei Pupi is the theater<br \/>\ntraditional Sicilian puppet show. Puppies differ from each other<br \/>\n puppets for the plot, the mechanics, the figurative style, the<br \/>\nstage organization and declamation. Most of the arguments are<br \/>\nlong narratives taken from booklets from literature<br \/>\nepic-chivalrous, in particular that of the Carolingian cycle. The repertoire<br \/>\nit includes lives of bandits, saints, historical events and arguments<br \/>\nshakespearians. The metal armor that becomes splendid and<br \/>\nnoisy puppets and mechanics suitable for representing fights with<br \/>\nsword are peculiar to the work of puppets.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe manipulators move the<br \/>\npuppets, they make them talk and sometimes they build them too; pinten<br \/>\ndecorations and posters.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe duels take place in a<br \/>\ntheatrical, disproportionate to the size of the puppet, and between two puppets, one<br \/>\nChristian placed to the right of the puppeteer and a Saracen to the left of the<br \/>\npuppeteer.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nTwo people is enough<br \/>\nto bring a not too ambitious show. When a character does not<br \/>\nhe walks, during the fights he can be hung by a rope or a<br \/>\nChain. They are all driven by two strong stems, one on the head and the other<br \/>\n on the right hand, and by some auxiliary thread, at least to move the<br \/>\nleft arm. Its structure is made of wood. The puppets of Palermo have<br \/>\n a size between 80 cm. and 1 m. and weigh about 8 pounds. The puppets of<br \/>\nCatania have a size of between 1&#039;10 m. and 1&#039;30 m. and weigh about 25<br \/>\nkilos.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe show is cyclical to chain the audience and bring them back the next day.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nRegular viewers are<br \/>\nthey get to know each other, discuss adventures during intermissions and<br \/>\nperhaps, at the end, they are expected to ask the puppeteer for explanations<br \/>\n or to criticize any aspect of the performance.&nbsp;<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe duration of the cycle is months<br \/>\n and is one of the most interesting features of the theater of<br \/>\nSicilian puppets, along with the fact that it contributes to produce a<br \/>\nvery intense relationship with loved or hated characters.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<a href=\"http:\/\/www.blogger.com\/blogger.g?blogID=2701487811755248965\" name=\"anglaterra\" target=\"_blank\" rel=\"noopener\"><\/a><b>ENGLAND<\/b><\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<ul>\n<li> Punch and Judy<\/li>\n<\/ul>\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nSince the time<br \/>\nThere has been a medieval puppetry tradition in England and there are many<br \/>\nreferences to puppets in the Elizabethan era.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nDuring the Commonwealth, the<br \/>\nFrom 1642 to 1660, the Puritan government closed all but one of the theaters<br \/>\n puppets managed to survive and preserve part of the<br \/>\npopular tradition.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nWhen the<br \/>\nmonarchy in 1660, the theaters opened their doors to the public<br \/>\n and foreign artists crossed the Channel.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nPietro Gimonde, puppeteer of<br \/>\nBologna, marched to England. In 1662 he performed at Covent Garden in<br \/>\n London. It was named after its main character Polichinello,<br \/>\nPunchinella and finally Punch. An inscription on the wall of the church<br \/>\nof St. Paul Covent Garden, reports on the first performance of the<br \/>\nPunch puppet.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIn the late seventeenth century, Punch<br \/>\nplayed the same role in English puppet theater as Polichinelle did<br \/>\nin French; that is to say he was the local clown of many shows of the<br \/>\nnative repertoire.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nAt that time the puppet of<br \/>\nthread or puppet was the most abundant puppet class. It was controlled<br \/>\n from above with threads and a stem on the head. To disguise the threads in the<br \/>\nnone of the puppets, covered the proscenium with a network of thin wires.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nLater they evolved into<br \/>\n glove puppet. The characters Punch, spoke in a loud voice and<br \/>\nshrill. The manipulator used a tongue to make it work.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIn all performances Punch, often accompanied by his wife Joana (Judy), played the lead role.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe puppets of the puppets of<br \/>\n gloves were mounted on the outside of the wire puppet theaters or<br \/>\npuppets as a claim to what could be seen inside<br \/>\nby paying a ticket. With the disappearance of theaters, the<br \/>\nmanipulators took the castles through the streets.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe reason for taking Punch through the streets was, originally, solely economic.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe plot of the show<br \/>\n glove should be very simple because in addition to appearing in front of a<br \/>\n always different, casual audience, has to struggle with all the noises of the<br \/>\nStreet; any subtlety in incidents is lost; the action of the<br \/>\nrepresentation must be agile, it must attract the attention of pedestrians and it must<br \/>\n to use the natural movements of a glove puppet, which are the<br \/>\n natural movements of the human hand.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe traditional scheme of the work was as follows:<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nPunch and Judy dance together. Judy<br \/>\n leaves the child to Punch to watch over him; Punch plays with the boy, though<br \/>\nhe keeps crying and finally Punch throws him out the window;<br \/>\nJudy comes back, asks where the boy is (the audience tells him) and grabs a cane for<br \/>\n use it against Punch, he takes it, sticks it and kills it, one<br \/>\npolice show up to catch Punch, and also kill him; another<br \/>\ncharacter appears and also kills him. Punch and his friend the clown Joey<br \/>\n (who never receives) are entertained to count the dead. Sometimes the<br \/>\nJudy&#039;s ghost appears to scare Punch. Finally Punch is<br \/>\ncaught and taken to be hanged, he shows that he does not understand what he has to do and<br \/>\nhe asks the executioner to show him, he puts his head inside the noose<br \/>\ndo a demo and Punch pulls the rope and hangs it; the devil comes out<br \/>\nbut Punch also wins the demon and the show ends.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"320\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image040.gif\" width=\"294\" \/>It sounds amazing but this show is greeted with great laughter.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nWhy are we laughing? We do not know. Is<br \/>\na mystery of the human soul. Punch fills some deep instinct of the<br \/>\nhuman nature and that his little drama has always acted as an agent<br \/>\nrevulsive about society. <i>George Speaight<\/i>.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nWe also relate Punch to other European characters.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nGuinyol in France. Kasperl a<br \/>\nGermany. Jan Klaasen to Holland. Mester Jekel in Denmark. H\u00e4nneschen a<br \/>\nColony (stem puppets). Los Robertos to Portugal. Petrushka in Russia.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nHe also arrived in Brazil in the 19th century, under the name Joao Minhoca.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif; text-align: right;\">\nFig.14<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<a href=\"http:\/\/www.blogger.com\/blogger.g?blogID=2701487811755248965\" name=\"fransa\" target=\"_blank\" rel=\"noopener\"><\/a><b>FRANCE<\/b><\/div>\n<ul class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<li><b>&nbsp;<\/b>El Guinyol Lion\u00e8s<\/li>\n<\/ul>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nHunger forces Laurent<br \/>\nMourguet to manipulate the puppets. After the revolution of 1789 there<br \/>\nthere is little work for the silk workers of Lyons. Mourguet leaves,<br \/>\nsell needles, perfumes, miraculous remedies\u2026<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nTowards 1797, it stabilizes,<br \/>\nit will be a toothpick. In Paris, on the Pont-Neuf, he settled in the seat of the<br \/>\n dentist a castle to calm customers (as it did not exist<br \/>\nanesthesia, this was already a tradition), and represents Polichinelle. These<br \/>\nrepresentations surpass in quality the work of dentist and in 1804 es<br \/>\nhe becomes a professional puppeteer.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIt begins to represent the<br \/>\nItalian repertoire and to attract pedestrians accepts a companion Lambert<br \/>\nGr\u00e8goire Ladr\u00e9. This character is famous in Lyon and its region. Is<br \/>\nhe stands in front of the castle, plays the violin, draws the public &#039;s attention and<br \/>\n dialogue with the puppets.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nBut this fellow has one<br \/>\ndefect, likes to drink and often disappears. Mourguet decides<br \/>\nreplace it with a puppet modeled on his image: Gnafron. That&#039;s how<br \/>\n the first authentic Lyon puppet is born.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<img decoding=\"async\" border=\"0\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image042.gif\" \/>Later he creates another<br \/>\ncharacter replacing Polichinelle: Guinyol. This protagonist<br \/>\ntriumphs immediately. It is a faithful reflection of themselves and theirs<br \/>\nproblems. The scripts revolve around demanding owners<br \/>\ncharge and are beaten, by magistrates who do their job and are<br \/>\nbeaten<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nWithout being a pure theater<br \/>\nclaim, the Guinyol Theater of 1852 is a theater of protest.<br \/>\nNapoleon III realizes this and forces all puppeteers to pass theirs<br \/>\n texts by censorship. For the first time in the Guinyol theater they are written<br \/>\nworks.&nbsp;<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<p>\nFig.15<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<p>\n<b>SPAIN<\/b><\/div>\n<ul class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<li>The Catalan Puppet. Catalonia<\/li>\n<\/ul>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nPunch&#039;s Catalan nephew is in &quot;Puppet&quot;.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nHe is a young Catalan farmer, with<br \/>\nthat mixture of ingenuity and common sense, common to the heroes of<br \/>\npuppets from all countries. His candor, happy and content, leads him to<br \/>\nall sorts of calamities from which one comes out cunningly, guessing<br \/>\n the ploys of his enemies or turning their trout.His<br \/>\ndress consists of white shirt of Catalan farmers under a vest<br \/>\nunbuttoned, black velvet panties, red belt and most importantly<br \/>\nred hat.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nCristeta is the protagonist<br \/>\nfemale. T\u00f2fol is the gallant short of prawns. There is the Devil and Him<br \/>\nGu\u00e0rdia Urb\u00e0, the only one who speaks Spanish.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe Catalan glove puppet, by<br \/>\n its construction has different characteristics from those of the<br \/>\nothers, which is why it is called the \u201cCatalan type\u201d.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe dress below, which is called<br \/>\n&quot;Soul,&quot; he added to his chest and hands. Hence the puppet<br \/>\nyou can change your wardrobe. One of the hands can be unscrewed and so on<br \/>\nput sticks or other utensils on it.&nbsp;<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nAccording to Joan Amades<br \/>\nafter a strong persecution of the puppet theater in Barcelona, the year<br \/>\n 1844, years later a great acceptance of this theater arose<br \/>\nlinking with popular tradition. Serious works were performed and<br \/>\n comics. Many pieces were written by the puppeteers themselves and them<br \/>\nthey themselves staged them. The puppet works of the s. XIX, are<br \/>\nwritten in Catalan, although many of them can be found bilingual,<br \/>\n sometimes one of the characters spoke in such a way that<br \/>\nhe made the dialogues Spanish. There were several places in Catalonia<br \/>\ndedicated to puppet theater. The custom of<br \/>\nmake representations in the middle of a park or in public squares, where they attended<br \/>\n parents with their children.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIn the Catalan Countries we have the Tirisitis of Alicante and the Teresetes of the Balearic Islands<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nWe can also find glove puppets in Spain: Barriga Verde in Galicia; Don Crist\u00f3bal in Castile and Aunt Norica in Andalusia.&nbsp;<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nAround the 16th century, the first automata appeared in Spain.&nbsp;<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<img decoding=\"async\" border=\"0\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image046.gif\" \/><\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<img decoding=\"async\" border=\"0\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image044.gif\" \/>&nbsp;<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<br \/>\nFig.16<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif; text-align: right;\">\n<p>\nFig.17<\/p>\n<p><\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<p>\nThe transhumant nature of puppeteers and theirs<br \/>\nconstant passage from one country to another, within the same European continent or<br \/>\ncrossing the sea, contributed to the expansion of various forms of<br \/>\npuppets, which, picking up the idiosyncrasies of each village, were adapted to the<br \/>\ntheir culture.<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe favorable position achieved by the puppets<br \/>\nin the 18th century, it transferred its influence to the 19th century. In<br \/>\nthis century puppet theater, though a marginal art, goes<br \/>\ncontinue to interest intellectuals and artists around the world, and the<br \/>\nits proliferation was so great that it began to be one as well<br \/>\nentertainment for children. Aside from the already established figures, they go<br \/>\nnew manifestations of the art of puppets arose or developed<br \/>\n which over time left a tradition established, such as<br \/>\nthe Sicilian puppets.<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThis century marked three lines in the<br \/>\npuppet development: The popular line, this slope came<br \/>\nof the traditional puppet theater and the companies performed for the<br \/>\nsquares and had the support of the general public. The intellectual line<br \/>\nin which new trends in dramaturgy and in<br \/>\nthe aesthetics of the puppets and the spectacular line in which the function<br \/>\none of the puppeteers was to surprise and amaze the audience, so the trick<br \/>\n that was all. These companies did not develop the art of puppetry<br \/>\nif not that they brought the mechanics to a high degree of perfection, trying<br \/>\nas long as the mechanism of the tricks remained hidden from competitors and<br \/>\n the public. (a skeleton that was dismembered, the Great Turk that is<br \/>\nturned into six small children, a fat lady who transformed into<br \/>\na balloon\u2026). These shows were presented in cabarets and<br \/>\nmagazines.<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<img decoding=\"async\" border=\"0\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image050.gif\" \/><\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<img decoding=\"async\" border=\"0\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image048.gif\" \/>&nbsp;<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif; text-align: left;\">\nFig.18<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif; text-align: right;\">\n<p>\nFig.19<\/p>\n<p><\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<div align=\"justify\" class=\"Estilo1\">\nAt the end of the 19th century, when the<br \/>\nemployers saw that the public was not going to the functions of the days<br \/>\nAt Christmas, they invented shows with a lot of intrigue and effects<br \/>\nbased on well-known traditional tales, able to attract the<br \/>\nchildren and their parents. This was the first antecedent of theater<br \/>\nchildren, and so the art of puppets was an alternative to theater<br \/>\nchildren in front of the adult theater.<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\nIn the twentieth century, it resurfaced<br \/>\nlike a truly artistic puppet theater. Grains were created<br \/>\ncompanies. Puppets were introduced in the media<br \/>\nmass, -cinema, television-. In these media is where it started<br \/>\nuse the animatronics, puppets directed by commands to<br \/>\ndistance.<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\nOn the other hand, from<br \/>\nthe first decades saw the possibility of incorporating puppets<br \/>\nin the educational process, and even use them as a vehicle for<br \/>\ncommunication in modern sciences such as psychology and sociology. The<br \/>\npuppets joined the growing development of the century.<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<img decoding=\"async\" border=\"0\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image054.gif\" \/><\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<img decoding=\"async\" border=\"0\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image052.gif\" \/><img decoding=\"async\" border=\"0\" height=\"210\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image058.gif\" width=\"320\" \/>Fig.20&nbsp;<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div class=\"Estilo1\" style=\"text-align: right;\">\n<p>Fig.21&nbsp;<\/p><\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n&nbsp; <\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<img decoding=\"async\" border=\"0\" src=\"https:\/\/www.teiamoner.net\/wp-content\/uploads\/2007\/09\/image056.gif\" \/><\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div class=\"Estilo1\" style=\"text-align: left;\">\n<p>Fig.22<\/p><\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div class=\"Estilo1\" style=\"text-align: right;\">\n<p>\nFig.23<\/div>\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<p><\/div>\n<ul style=\"font-family: Arial,Helvetica,sans-serif;\">\n<li class=\"Estilo1\"><i>Puppets: history, theory and tradition. Freddy Artiles. Ed. Booksellers. 1998<\/i><\/li>\n<li class=\"Estilo1\"><i>The great popular traditions: shadows and puppets. Theater Monographs n.7. Barcelona Theater Institute. Ed. 62 - 1977<\/i><\/li>\n<li class=\"Estilo1\"><i>The Shadow Theater around the world. Les<br \/>\ngreat traditions. Theater Monographs n.14. Theater Institute of<br \/>\nBarcelona. Ed. 62 - 1984<\/i><\/li>\n<li class=\"Estilo1\"><i><a href=\"http:\/\/j.orellana.free.fr\/index.htm\" target=\"_blank\" rel=\"noopener\">http:\/\/j.orellana.free.fr\/index.htm<\/a><\/i><\/li>\n<li class=\"Estilo1\"><i>The puppet collection of the Instituto del Teatro de Barcelona. Anna V\u00e1zquez Est\u00e9vez.<\/i> Revista Galega de Teatro.1997. n.17<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\">\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Puppets are special. The Puppet The Puppet in the West <\/p>\n<p class=\"read-more-container\"><a title=\"The puppet in the West\" class=\"read-more button\" href=\"https:\/\/www.teiamoner.net\/en\/el-titella-occident\/#more-5254\">Keep reading<span class=\"screen-reader-text\">The puppet in the West<\/span><\/a><\/p>","protected":false},"author":3,"featured_media":5255,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[119,172,112],"_links":{"self":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5254"}],"collection":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/comments?post=5254"}],"version-history":[{"count":1,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5254\/revisions"}],"predecessor-version":[{"id":5267,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5254\/revisions\/5267"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/media\/5255"}],"wp:attachment":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/media?parent=5254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/categories?post=5254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/tags?post=5254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}