{"id":5268,"date":"2007-09-08T20:47:00","date_gmt":"2007-09-08T18:47:00","guid":{"rendered":""},"modified":"2020-09-06T19:09:43","modified_gmt":"2020-09-06T17:09:43","slug":"tipus-de-titelles","status":"publish","type":"post","link":"https:\/\/www.teiamoner.net\/en\/tipus-de-titelles\/","title":{"rendered":"Types of puppets"},"content":{"rendered":"
\n
\n
\nPuppets are special. The puppet<\/span><\/div>\n

Types of puppets
\n<\/span><\/div>\n

\n<\/div>\n<\/div>\n

<\/p>\n\n\n\n\n\n\n\n\n\n
\n
\nGlove:<\/b> The hand is placed inside the puppet's dress, almost like a glove. Depending on the manipulation there are different types: <\/span><\/div>\n
    \n
  • French doll or puppet:<\/i> With the index finger the head is held, with the big finger one hand and with the rest, the other hand of the puppet. <\/span><\/li>\n<\/ul>\n<\/th>\n<\/tr>\n
\n
\n
\n<\/div>\n

<\/span>Fig. 25<\/span><\/div>\n<\/th>\n<\/tr>\n

\n
    \n
  • Putxinelli or traditional Catalan puppet:<\/i>
    \n For a long time, in Catalonia, a modality was used
    \nparticular of this puppet, whose head was held up with three fingers a
    \n the time (index, heart, ring). And the other two fingers (little and big),
    \nthey were used to move the puppet's arms. Formerly these puppets
    \nthey were made of carved wood, like small sculptures and weighed a lot.<\/span><\/li>\n<\/ul>\n<\/th>\n<\/tr>\n
\n
\n
\n<\/div>\n

Fig. 26<\/span><\/b><\/span><\/span><\/div>\n<\/th>\n<\/tr>\n

\n
    \n
  • Punch or English puppet:<\/i> The head is held with the index finger and both hands of the puppet with the ring and big fingers.<\/span><\/li>\n<\/ul>\n<\/th>\n<\/tr>\n
\n
\n
\n<\/div>\n

Fig. 27<\/span><\/span><\/div>\n<\/th>\n<\/tr>\n

\n
\nSaid: Small glove puppet, which is put on a single finger where the body has only one movement.<\/span><\/div>\n<\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
<\/th>\n<\/th>\n<\/th>\n<\/th>\n<\/tr>\n
\n\n
\n
\n<\/div>\n
\n<\/div>\n

Fig. 29<\/span><\/div>\n<\/td>\n

\n
\n
\n<\/div>\n

Fig. 30<\/span><\/div>\n<\/td>\n

\n
\n
\n<\/div>\n

Fig. 31<\/span><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n
muppets: It is a simplification of the glove puppet, the whole hand is shod in the doll's head, which opens and closes the mouth. <\/span><\/span><\/th>\n<\/tr>\n
\n
\n
\n<\/div>\n

Fig. 32<\/span><\/span><\/span><\/div>\n<\/th>\n<\/tr>\n

marota
\n and from Tija: It is a manipulated puppet with a single central stem. And the hand
\nof the manipulator can be the hand of the puppet. Sometimes the hands of the
\npuppet have two stems. <\/span><\/span><\/th>\n<\/tr>\n
\n
\n\n\n\n\n\n\n\n\n\n
\n
\n
\n<\/div>\n

Fig. 33<\/span><\/span><\/span><\/div>\n<\/th>\n

\n
\n
\n<\/div>\n

Fig. 34<\/span><\/span><\/div>\n<\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/th>\n<\/tr>\n

\n
\nPuppet
\n of thread or marionette: It consists of an articulated doll, which is manipulated
\nabove, by means of threads that go to a wooden cross who has the manipulator in his hand. <\/span><\/span><\/div>\n
\n<\/div>\n
\n<\/div>\n
\nFig. 35<\/div>\n<\/th>\n
\n
\n
\n<\/div>\n<\/div>\n<\/th>\n<\/tr>\n
\n
\nbunraku: <\/b>This one
\n it is a Japanese technique; the doll is two-thirds the size of
\nthe man, and manipulated by three people: the teacher (20 years of studies),
\nwho manipulates the head and the right hand, and the assistants (10 years of studies)
\nwhich manipulate the left arm and legs. Accompanied by a musician who
\n recite the text There are also adaptations for a single manipulator. <\/span><\/div>\n<\/th>\n<\/tr>\n
\n
\n
\n<\/div>\n

Fig. 36<\/span><\/span><\/span><\/div>\n<\/th>\n<\/tr>\n

\n
\nShadows:
\n They are flat figures, armed on a stem, sometimes articulated, which
\nplaced behind a screen and with a spotlight it transforms
\nin shadow theatre. When they apply, in addition to the hands, we speak
\nof Chinese shadows.<\/span><\/div>\n
\n<\/div>\n
\nFig. 37<\/div>\n<\/th>\n
\n
\n
\n<\/div>\n<\/div>\n<\/th>\n<\/tr>\n
\n
\n
\n<\/div>\n

<\/span><\/div>\n<\/th>\n

Big Heads:<\/b>
\n Although they are usually used for parades and parties
\nstreet, they can be used in a performance as another puppet. The
\nbody of the manipulator is placed inside the puppet. <\/span><\/p>\n
\n
<\/i><\/div>\n
\nFig. 38<\/div>\n<\/th>\n<\/tr>\n
animatronics<\/b>: Remotely manipulated puppets, sometimes controlled by computer and sometimes with electronic cables.<\/span><\/p>\n

Automata:<\/b> They are puppets that are operated by mechanical elements. You don't always need the manipulator for them to wiggle. <\/span><\/p>\n

Ventriloquist puppets: <\/b>Ventriloquism,
\n the art of throwing the voice, that is to say, that whoever speaks does so in such a way
\nthat the sound seems to come from a distance or from a different source than what
\nis talking Normally, the ventriloquist \u2013 keeps his lips tightly together,
\nalmost without moving them \u2013 use a puppet to keep the attention of the
\naudience and increase the illusion that the character is the one speaking.
\nWhen not using the puppet, the ventriloquist uses some object that,
\nusually waves, to attract our attention while he speaks and
\nmanages to give the illusion it wants. <\/span><\/p>\n

\nBased on
\nThese main techniques can be used to create mixed puppets. For
\nexample, a glove puppet whose arm is manipulated with a stem, etc <\/div>\n<\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n<\/div>\n
\n<\/div>\n

<\/p>\n

\n<\/div>","protected":false},"excerpt":{"rendered":"

Puppets are special. The Puppet Types of Puppets Glove:\u2026 <\/p>\n

Keep readingTypes of puppets<\/span><\/a><\/p>","protected":false},"author":3,"featured_media":5269,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[119,172,173,112],"class_list":["post-5268","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria","tag-ed-especial","tag-els-titelles-som-especials","tag-tipus-de-titelles","tag-titelles","masonry-post","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/comments?post=5268"}],"version-history":[{"count":1,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5268\/revisions"}],"predecessor-version":[{"id":5283,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5268\/revisions\/5283"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/media\/5269"}],"wp:attachment":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/media?parent=5268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/categories?post=5268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/tags?post=5268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}