{"id":5448,"date":"2007-09-03T00:52:00","date_gmt":"2007-09-02T22:52:00","guid":{"rendered":""},"modified":"2020-09-06T19:10:49","modified_gmt":"2020-09-06T17:10:49","slug":"conclusions","status":"publish","type":"post","link":"https:\/\/www.teiamoner.net\/en\/conclusions\/","title":{"rendered":"Conclusions"},"content":{"rendered":"<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<span style=\"font-size: x-small;\">Puppets are special.&nbsp;<\/span><br \/>\n<span style=\"font-size: large;\">Conclusions<\/span><\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<i>&quot;The common feature of puppets is to demand the following paradox: an object that is both and is not. Clearly what I see is a wolf, but it is not truly a wolf, because I see clearly that it is papier mach\u00e9 and cloth. This paradox must always be respected and maintained. Knowing how to endure a paradox without wanting to solve it at all costs is the basis of human intelligence; it is what makes the symbol, the metaphor, the hypothesis possible\u2026 \u201d<\/i> (Mariano Dolci)\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nAs I had proposed at the beginning, this license has helped me to structure my previous and acquired knowledge about puppets and their therapeutic function. Thanks to the review of existing documentary sources and the collection of the most suitable for the work I have been able to develop strategies and teaching resources for teachers.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nFinally, there is a document in Catalan that deals with this topic and that can serve as a basis for further research. I hope to be able to translate this text into Spanish later.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nI am aware that this is a start, it aims to be the first step of a long scale that we do not know where it will take us and that invites all educators and teachers who believe in the educational properties of puppets and their application to the school.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIn this study I was able to confirm that currently in Catalonia and the rest of Spain, there is virtually no writing on the therapeutic applications of puppets. We are lagging behind other European countries on this issue. However, I have been able to verify that most education professionals in our country are very interested in these exercises, but the lack of resources (theoretical, practical and personal) gives up the realization of continuous programming to reinforce the learning of their students with puppets.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nAbroad they have a lot of documentation and have formal and active associations that organize meetings for professionals in order to share their experiences and train educators.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIf we talk about procedures, I have found that it is basic to define the adequacy of the techniques in reference to the disorders. To work on learning, each disability has a technique that is more favorable to him.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nSome children with SEN may naturally and spontaneously prefer the puppet technique that works best for their disability, but sometimes teachers have to choose the technique because students are not in a position to choose.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nFor example, the deaf spontaneously grab the wire puppet. This one has the whole body, the expression is total and it is not just a talking puppet. In fact, the mouths of puppets are of little interest to the deaf, rather it is the expression. Maybe that\u2019s why this interest in the thread puppet.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThere are exposed puppets that are manipulated with a stick on the head and another on the arm. They coordinate movements well, because they can tilt the head, body, raise the arm, walk\u2026 They are important for a child who does not know his body well. It can contribute a lot in psychomotor skills.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIt is important to find out if one puppet technique is better than another for children with disabilities and what the consequences are of changing the technique on general expression. <\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIt is therefore essential that the educator knows the different types of puppet manipulation. It is also essential that you are aware of the problems that may occur in your environment (parents, family, classmates\u2026), in order to carry out the activities effectively.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nOn the other hand there are a number of key and very interesting questions that concern the educator who works with puppets and that each professional must answer with their own experience. According to the documentation consulted we have different answers.<b>&nbsp;<\/b><\/div>\n<div align=\"justify\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<ul>\n<li class=\"Estilo1\"><i>Puppets made or puppets to build?<\/i><i>&nbsp;<\/i><\/li>\n<\/ul>\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe issue is unresolved, some prefer one thing or the other for technical, practical or material reasons. Each method has its advantages and disadvantages. Building allows for better self-projection, but there are places and times when construction is impossible to accomplish.<\/div>\n<div align=\"justify\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<ul>\n<li class=\"Estilo1\"><i>Is it necessary to let students freely choose the type of puppet in their manufacture?<\/i><i>&nbsp;<\/i><\/li>\n<\/ul>\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nDepending on the goals set in the sessions can be beneficial or counterproductive. <\/div>\n<div align=\"justify\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<ul>\n<li class=\"Estilo1\"><i>Is it necessary in the manufacture to guide them step by step?<\/i><i>&nbsp;<\/i><\/li>\n<\/ul>\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nTechnically the therapist or teacher should help in the construction of the puppet, but in no case in the artistic part. It is important for the educator to set goals when it comes to construction. Do you want to leave the child or patient free to create their character? or conversely, Do you want to guide him so that he is interested in discovering, for example, body parts ?. All participation depends on the purpose of the activity.<\/div>\n<div align=\"justify\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<ul>\n<li class=\"Estilo1\"><i>Is it necessary to create homogeneous groups of students?<\/i><i>&nbsp;<\/i><\/li>\n<\/ul>\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nIf the activity and the number or characteristics of the participants allow it can facilitate the execution of the session. But if what is intended is the integration of all students into the group it is interesting to make heterogeneous groups. <\/div>\n<div align=\"justify\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<ul>\n<li class=\"Estilo1\"><i>Does the teacher have to participate in the making while the students also make their own puppet?<\/i><i>&nbsp;<\/i><\/li>\n<\/ul>\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nSometimes it is interesting for the teacher to participate in parallel in the activity he carries out with the student, as he can comment on the difficulties to solve them in real time and it is easier to guide him, because an image is worth more than one hundred words. But there are times when observation is more important in order to be able to redirect the sessions towards the stated objectives if necessary.<\/div>\n<div align=\"justify\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<ul>\n<li class=\"Estilo1\"><i>Should the teacher be actively involved in staging the activity?<\/i><i>&nbsp;<\/i><\/li>\n<\/ul>\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nTo give the student confidence at certain times it is good for the teacher to participate, but sometimes their emotional involvement can hurt the therapy.<\/div>\n<div align=\"justify\" style=\"font-family: Arial,Helvetica,sans-serif;\">\n<ul>\n<li class=\"Estilo1\"><i>In front or behind the theater?<\/i><i>&nbsp;<\/i><\/li>\n<\/ul>\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe castle may be a defense mechanism for the patient and the therapist, but at the same time it also becomes a handicap in some circumstances due to the evolution of the therapy. Professionals must observe the variables that converge in the person subject to the therapy (disability, current state of the person, purpose of the session\u2026) and decide whether or not to use the castle according to the technical knowledge and intuition of the moment.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nNo teacher has a single answer. Each situation requires taking one action or another depending on the circumstance, the objectives and the good judgment of the professional.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nMost agree that it is good to set up a multidisciplinary team, where there are professionals who do not need to be educators but who master the art of puppetry, so that they can contribute everything that teachers lack.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe basis of any therapeutic intervention with puppets is simply the creation of an open protocol and subject to any change. The educator or therapist must adapt the session according to the patient or student, their internal state and the circumstances surrounding them at that time.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nAnother general opinion is that an activity with puppets must have a temporary dimension, it cannot last indefinitely.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe puppet is an interesting therapeutic support that unites &quot;letting go&quot; <i>(improvisation)<\/i>with the expression contained in an appropriate framework. It allows to play with simultaneous registers of the verbal and the nonverbal, with words and mime at the same time, in relation to each other.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThis figure which is given life, is an external object that prolongs the body and facilitates communication, creates an atmosphere of security, has a strong power of motivation and is therefore used as a therapeutic support.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThe obligatory protagonists in a work with puppets are: an object, a manipulator and a spectator.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nOne issue that often comes up in this work is the figure of the \u201cdouble\u201d. The role of the double is essential in puppet manipulations: the double is never identical, the puppet has a body where the movements are similar but not identical to those of the body itself. Here a distance is created that will allow a psychic evolution.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nAnother factor that favors the pedagogical function is that puppets have the power to trigger what we can today call \u201cfeedback\u201d, a very important circumstance in any learning task.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nThis coming academic year 2007-08, I will coordinate a working group supported by the ICE of the University of Barcelona, to continue research on the theory and practice of the therapeutic and educational value of puppets in our classrooms. The group is made up of teachers, psychologists and speech therapy students.\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nOur intention is to continue looking for new forms of learning using puppets and to create specific activities for their application.<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nWe also want to address the training part, organizing conferences and courses in Catalonia aimed at professionals in teaching and psychology, and taught by educators, psychologists, teachers\u2026 from around the world who are working on learning or doing therapy with puppets .\n<\/div>\n<div align=\"justify\" class=\"Estilo1\" style=\"font-family: Arial,Helvetica,sans-serif;\">\nFrom here I encourage you to collaborate and send us any suggestions or experiences on the subject.<\/div>","protected":false},"excerpt":{"rendered":"<p>Puppets are special. Conclusions \u201cThe peculiarity common to puppets\u2026 <\/p>\n<p class=\"read-more-container\"><a title=\"Conclusions\" class=\"read-more button\" href=\"https:\/\/www.teiamoner.net\/en\/conclusions\/#more-5448\">Keep reading<span class=\"screen-reader-text\">Conclusions<\/span><\/a><\/p>","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[119,172],"_links":{"self":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5448"}],"collection":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/comments?post=5448"}],"version-history":[{"count":1,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5448\/revisions"}],"predecessor-version":[{"id":5449,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5448\/revisions\/5449"}],"wp:attachment":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/media?parent=5448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/categories?post=5448"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/tags?post=5448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}