{"id":5456,"date":"2007-09-03T00:50:00","date_gmt":"2007-09-02T22:50:00","guid":{"rendered":""},"modified":"2020-09-06T19:10:49","modified_gmt":"2020-09-06T17:10:49","slug":"bibliografia-imatges","status":"publish","type":"post","link":"https:\/\/www.teiamoner.net\/en\/bibliografia-imatges\/","title":{"rendered":"Bibliography. Images"},"content":{"rendered":"
\nPuppets are special. <\/span>
\nBibliography. Images<\/span><\/div>\n
\n<\/div>\n
\nFIG. 1
\nBali.<\/i>Permanent Exhibition Teia Moner Puppet Workshop. 2007<\/div>\n
\nFIG. 2
\nThailand.<\/i> Permanent Exhibition Teia Moner Puppet Workshop. 2007<\/div>\n
\nFIG. 3
\nNepal.<\/i> Permanent Exhibition Teia Moner Puppet Workshop. 2007<\/div>\n
\nFIG. 4, FIG. 5
\nIndia.<\/i> Permanent Exhibition Teia Moner Puppet Workshop. 2007<\/div>\n
\nFIG. 6
\nBunraku. Japan. Photography by Dan Smith<\/i>http:\/\/en.wikipedia.org\/wiki\/Image:Man_playing_shamisen.jpg#file<\/a><\/div>\n
\nFIG. 7
\nBunraku. Japan.<\/i> http:\/\/www.asianinterstage.com\/tonda\/kakasan1<\/a><\/div>\n
\nFIG. 8
\nBunraku. Japan.<\/i> http:\/\/asianinterstage.com\/summer2007japan\/oyako20061.jpg<\/a><\/div>\n
\nFIG. 9
\nShadow theater. Karagoz<\/i><\/div>\n
\nFIG. 10
\nShadow Wayang. Indonesia.<\/i> Permanent Exhibition Teia Moner Puppet Workshop. 2007<\/div>\n
\nFIG. 11
\nCharacters from the Zhuozhou Shadow Theater Group, the left and the Beijing, in a presentation at the imperial court in the late Ming Dynasty. <\/i>http:\/\/www.rmhb.com.cn\/chpic\/htdocs\/rmhb\/images\/images-6\/pi\/65.jpg<\/a><\/div>\n
\nFIG. 12
\nKaragoz. Istanbul, Turkey<\/i>http:\/\/www.minpaku.ac.jp\/english\/museum\/exhibition\/westasia\/03.html<\/a><\/div>\n
\nFIG. 13
\nPulcinella. Salvatore Gatto, Naples (Italy)
\nhttp:\/\/figurentheater-gfp.de\/bilder\/festival\/pulcinella_01.jpg<\/a><\/i><\/div>\n
\nFIG. 14
\nPuppi Sicili\u00e0. Italy. <\/i>Permanent Exhibition Teia Moner Puppet Workshop. 2007<\/div>\n
\nFIG. 15
\nPunch and Judy. England. <\/i>Permanent Exhibition Teia Moner Puppet Workshop. 2007<\/div>\n
\nFIG. 16
\nGuinyol. France.1900.<\/i> Permanent Exhibition Teia Moner Puppet Workshop. 2007<\/div>\n
\nFIG. 17
\nCatalan puppet. Juli Pi. Late 19th century. <\/i>Revista Galega de Teatro.1997. n.17.The collection of puppets from the Instituto del Teatro de Barcelona. Anna V\u00e1zquez Est\u00e9vez<\/div>\n
\nFIG. 18
\nCatalan puppet. Verg\u00e8s family. Early twentieth century. <\/i>Revista Galega de Teatro.1997. n.17.The collection of puppets from the Instituto del Teatro de Barcelona. Anna V\u00e1zquez Est\u00e9vez<\/div>\n
\nFIG. 19
\nHarry V.Tozer.<\/i>Revista Galega de Teatro.1997. n.17.The collection of puppets from the Instituto del Teatro de Barcelona. Anna V\u00e1zquez Est\u00e9vez<\/div>\n
\nFIG. 20
\nIngeb\u00f6rg.<\/i> Revista Galega de Teatro.1997. n.17.The collection of puppets from the Instituto del Teatro de Barcelona. Anna V\u00e1zquez Est\u00e9vez<\/div>\n
\nFIG. 21
\nhttp:\/\/www.automatashop.co.uk\/ShowDetails.asp?id=323<\/a><\/div>\n
\nFIG. 22
\nhttp:\/\/www.a-v-g.com\/index3.html<\/a><\/div>\n
\nFIG. 23
\nhttp:\/\/www.masquemagia.com\/images\/nino3.jpg<\/a><\/div>\n
\nFIG. 24
\nShow "We've run into Don Quixote."<\/i> Teia Moner 1993<\/div>\n
\nFIG. 25, FIG. 26, FIG. 27, FIG. 28, FIG. 29, FIG. 30, FIG. 31, FIG. 32, FIG. 33, FIG. 34, FIG. 35, FIG. 36, FIG. 37, FIG. 38
\nDesigns by Maria Teresa Mart\u00ednez Moner. Teia Moner<\/i><\/div>\n
\nFIG. 39
\nMickey Aronoff. Scotland. <\/i>http:\/\/toytheatre.info\/Events\/Madison\/Gallery.htm<\/a> <\/div>\n
\nFIG. 40
\nMariano Dolci. Italy. <\/i>http:\/\/space.comune.re.it\/calvino\/2003\/marianodx.htm<\/a> <\/div>\n
\nFIG. 41
\nShadows. Mariano Dolci. Italy. <\/i>http:\/\/space.comune.re.it\/calvino\/2003\/marianodx.htm <\/a><\/div>\n
\nFIG. 42, FIG. 43, FIG. 44, FIG. 45, FIG. 46, FIG. 47, FIG. 48, FIG. 49, FIG. 50, FIG. 51
\n\u201cPlayful\u201d project<\/i> http:\/\/www.giocamico.it<\/a><\/div>\n
\nFIG. 52
\nBarbara Scheel. Germany .. <\/i>http:\/\/www.babuschka-theater.de\/<\/a> <\/div>\n
\nFIG. 53
\nFrench puppets.<\/i> http:\/\/marionnettetherapie.fr\/<\/a><\/div>\n
\nFIG. 54
\nFrench puppets.<\/i> http:\/\/marionnettetherapie.fr\/<\/a><\/div>\n
\nFIG. 55
\nFrench puppets.<\/i> http:\/\/marionnettetherapie.fr\/<\/a><\/div>\n
\nFIG. 56
\n"Neighborhood Companions." <\/i>ECOM Federation<\/div>\n
\nFig.57
\nEl Pais newspaper. February 26, 2007<\/i><\/div>\n
\nFIG. 58
\nImagine. Video<\/div>\n
\nFIG. 59, FIG. 60
\nhttp:\/\/www.puppetindia.com<\/a><\/div>\n
\nFIG. 61
\nJapanese puppets<\/i>. http:\/\/marionnettetherapie.fr\/<\/a><\/div>\n
\nFIG. 62, FIG. 63, FIG. 64, FIG. 65, FIG. 66, FIG. 67, FIG. 68
\nhttp:\/\/www.drsilly.com<\/a><\/div>\n
\nFIG. 69
\nhttp:\/\/www.unimacal.cl\/circulo.html<\/a><\/div>\n
\nFIG. 70, FIG. 71, FIG. 72
\nMarionnette et Th\u00e9rapie Association.<\/i> France<\/div>\n
\nFIG. 73, FIG. 74, FIG. 75, FIG. 76, FIG. 77, FIG. 78, FIG. 79
\nCEIP CAN BESORA. Mollet Vall\u00e8s.<\/i> Photos: Maria Teresa Mart\u00ednez Moner 2006<\/div>\n
\nFIG. 80, FIG. 81, FIG. 82, FIG. 83, FIG. 84
\nCEIP SANT MARTI. Torrelles de Llobregat. <\/i>Photos: Maria Teresa Mart\u00ednez Moner 2006<\/div>\n
\nFIG. 85, FIG. 86, FIG. 87, FIG. 88
\nCEIP JOSEP GRAS. Sant Llorens Savall.<\/i> Photos: Maria Teresa Mart\u00ednez Moner 2006<\/div>\n
\n <\/i>FIG. 89, FIG. 90, FIG. 91
\nCEIP DURAN I BAS<\/i>. Barcelona. Photos: Maria Teresa Mart\u00ednez Moner 2006<\/div>\n
\n <\/i>FIG. 92
\nRainy days. The Shadow Theater. Denny Robson and Vanessa Bailey. Editions Gamma Jeunnesse-\u00c9ditions H\u00e9ritage. 1991<\/div>\n
\nFIG. 93
\nChinese Shadow Theater. Isabel Coleman and Rosamund Bryan. Editorial Bouret. 1974<\/div>\n
\nFIG. 94
\nDrawing from the book Puppen & Theater. Kurt Schreiner. Ed. Dumont 1980<\/div>","protected":false},"excerpt":{"rendered":"

Puppets are special. Bibliography. Images Fig. 1 Bali.Permanent Exhibition\u2026 <\/p>\n

Keep readingBibliography. Images<\/span><\/a><\/p>","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[119,172],"_links":{"self":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5456"}],"collection":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/comments?post=5456"}],"version-history":[{"count":1,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5456\/revisions"}],"predecessor-version":[{"id":5457,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/posts\/5456\/revisions\/5457"}],"wp:attachment":[{"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/media?parent=5456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/categories?post=5456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teiamoner.net\/en\/wp-json\/wp\/v2\/tags?post=5456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}