{"id":5452,"date":"2007-09-03T00:51:00","date_gmt":"2007-09-02T22:51:00","guid":{"rendered":""},"modified":"2020-09-06T19:10:49","modified_gmt":"2020-09-06T17:10:49","slug":"bibliografia-revistes-i-articles","status":"publish","type":"post","link":"https:\/\/www.teiamoner.net\/fr\/bibliografia-revistes-i-articles\/","title":{"rendered":"Bibliographie. Magazines et articles."},"content":{"rendered":"<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<span style=\"font-size: x-small;\">Les marionnettes sont sp\u00e9ciales.&nbsp;<\/span><br \/>\n<span style=\"font-size: large;\">Bibliographie. Magazines et articles.<\/span><\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nMARIONNETTE ET TH\u00c9RAPIE. Num\u00e9ro 3<br \/>\n&quot;Comment prendre soin d&#039;un atelier de th\u00e9rapie par marionnettes&quot;<br \/>\nRelation d&#039;un marionnettiste th\u00e9rapeute. Hartmutt Topf. Angleterre 1978<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nMARIONNETTE ET TH\u00c9RAPIE. Num\u00e9ro 4 Marionnettes \u00e0 l&#039;\u00e9cole sp\u00e9ciale. <br \/>\nIngrid Laguerquist Daim 1979<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nMARIONNETTE ET TH\u00c9RAPIE .. Num\u00e9ro 5 <br \/>\nMariano DOLCI .Traitement de marionnettes dans un h\u00f4pital. Italie 1979<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nMARIONNETTE ET TH\u00c9RAPIE. Num\u00e9ro 12 <br \/>\nUn atelier socio-th\u00e9rapeutique : l&#039;utilisation de marionnettes dans un service de psychiatrie \u00ab adulte \u00bb au centre hospitalier sp\u00e9cialis\u00e9 de Belair (Ardennes) <br \/>\nPierre Vancraeyenest. Universit\u00e9 de Reims UER de M\u00e9decine. Paris 1983<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nSymposium international sur la marionnette et la th\u00e9rapie. Num\u00e9ro 14 <br \/>\nVIe Festival mondial des th\u00e9\u00e2tres de marionnettes. Charleville M\u00e9zi\u00e8res, 25-26 septembre 1982<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nMARIONNETTE ET TH\u00c9RAPIE. Num\u00e9ro 15 - 1983 <br \/>\nTh\u00e9rapie par la marionnette et le conte de f\u00e9es <br \/>\nTh\u00e9rapie par le jeu et l&#039;art <br \/>\nUsrula Tappolet. Atelier de Corsier-Port. 1246-Gen\u00e8ve<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nMARIONNETTE ET TH\u00c9RAPIE. Num\u00e9ro 16 <br \/>\nDes marionnettes, des maux et des mots. H\u00e9l\u00e8ne Goguel. Psychologue Paris 1984<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<b><\/b><\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nMARIONNETTE ET TH\u00c9RAPIE. Num\u00e9ro 19 <br \/>\nMarionnette et psychose R\u00e9flexions sur un atelier d&#039;ergoth\u00e9rapie <br \/>\nTh\u00e8se pr\u00e9sent\u00e9e pour le doctorat en m\u00e9decine. Dipl\u00f4me d&#039;Etat \u00e0 l&#039;Universit\u00e9 Louis Pasteur, <br \/>\nFacult\u00e9 de m\u00e9decine, Strasbourg, en 1986. Marc-Andr\u00e9 Klockenbring <i><br \/>\nDirecteur de th\u00e8se : M. Lucien Israel, Professeur<\/i><\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nMARIONNETTE ET TH\u00c9RAPIE.Num\u00e9ro 21 <br \/>\nCinqui\u00e8me CONF\u00c9RENCE INTERNATIONALE. 1988<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nMARIONNETTE ET TH\u00c9RAPIE. Num\u00e9ro 24 <br \/>\nMarionnettes et handicaps VII\u00e8me CONFERENCE INTERNATIONALE. Paris 1995<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nArticle : \u00c9l\u00e9ments de communication de la marionnette. Jeffrey L. Peyton&nbsp;<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nRevista Galega de Teatro.1997. n.17. <br \/>\nArticle : La collection de marionnettes de l&#039;Instituto del Teatro de Barcelona. Anna V\u00e1zquez Est\u00e9vez<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nRevista Enfances et psy.<i> Pascal Le Malefan. Dossier &quot;Play&quot; n.15. Post Scriptum<\/i><\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nPuck Magazine n.3 .Mariano Dlolci. Institut international de la marionnette. Charleville.1992&nbsp;<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nMagazine pour enfants. Num\u00e9ro 19. Mariano Dolci. &quot;Ombres en maternelle et en maternelle&quot;&nbsp;<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\n<\/div>\n<div style=\"font-family: Arial,Helvetica,sans-serif;\">\nMagazine \u00ab E pur si muove ! \u00bb. La Marionnette aujourd&#039;hui \u00bb. Avril 2003. n. 2 <br \/>\nEdit\u00e9 par : UNIMA <\/div>","protected":false},"excerpt":{"rendered":"<p>Les marionnettes sont sp\u00e9ciales. Bibliographie. Magazines et articles. MARIONNETTE ET\u2026 <\/p>\n<p class=\"read-more-container\"><a title=\"Bibliographie. Magazines et articles.\" class=\"read-more button\" href=\"https:\/\/www.teiamoner.net\/fr\/bibliografia-revistes-i-articles\/#more-5452\">Continue de lire<span class=\"screen-reader-text\">Bibliographie. Magazines et articles.<\/span><\/a><\/p>","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[119,172],"class_list":["post-5452","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-ed-especial","tag-els-titelles-som-especials","masonry-post","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/www.teiamoner.net\/fr\/wp-json\/wp\/v2\/posts\/5452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teiamoner.net\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teiamoner.net\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teiamoner.net\/fr\/wp-json\/wp\/v2\/comments?post=5452"}],"version-history":[{"count":1,"href":"https:\/\/www.teiamoner.net\/fr\/wp-json\/wp\/v2\/posts\/5452\/revisions"}],"predecessor-version":[{"id":5453,"href":"https:\/\/www.teiamoner.net\/fr\/wp-json\/wp\/v2\/posts\/5452\/revisions\/5453"}],"wp:attachment":[{"href":"https:\/\/www.teiamoner.net\/fr\/wp-json\/wp\/v2\/media?parent=5452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teiamoner.net\/fr\/wp-json\/wp\/v2\/categories?post=5452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teiamoner.net\/fr\/wp-json\/wp\/v2\/tags?post=5452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}